group exhibitions

2015

Seattle Arts Fair, James Harris Gallery, Seattle, WA

“Creating Feelings,” Sixth Annual Hybrid Art Exhibition, Rossiya theatre, Moscow, Russia

“Future Present (Emanuel Hoffman Foundation/Contemporary Art from Classic Modernism to the Present Day),” Schaulager, Basel, Switzerland

“Haroon Mirza: HRM199LTD,” Museum Tinguely, Basel, Switzerland

“In Transit,” IVAM, Institut Valencià d’Art Modern, Valencià, Spain

“Bricology (The Mouse and the Parrot),” Villa Arson, Nice, France

“Traces: Festival des arts numeriqués,” Chartreuse de la Valbonne, Bagnols-sur-Cèze, France

“Shoot: About Performance,” DNA Gallery, Berlin, Germany

Dallas Medianale 2015 / The McKinney Avenue Contemporary, Dallas, TX

“Capture All,” Transmediale/Festival 2015, Berlin, Germany          

“Construire une Collection,” Le Nouveau Musée National de Monaco, Monaco

“Fathoms,” Kik Five, Kino International, Berlin, Germany

2014

“30 Year – 30 Voices: A retrospective celebrating the 30th anniversary of Videonale Bonn,” Bonner Kunstverein, Bonn, Germany

“Bookish,” Corbett VS Dempsey, Chicago, Illinois

“Augment This (Meditations on the Image,” Cherry and Martin Gallery, Los Angeles, California

Festival International de la Imagen, Manizales, Colombia

Silicon Valley Contemporary Art Fair, San Jose, California

“The Invisible Force Behind,” Quadriennale Düsseldorf /IMAI-NRW-Forum, Düsseldorf

“The Embodied Vision: Performance for the Camera,” MUSEU NACIONAL DE ARTE CONTEMPORÂNEA DO CHIADO, Lisbon, Portugal

“Rewritten by Machine and New Technology,” University Art Gallery at Indiana State University, Terre Haute, Indiana

“The Vault (DeStilled Lives,” Spaces Gallery, Cleveland

2013

“SCHRIFTFILME: Schrift als Bild Bewegung (TYPEMOTION: Type as image in motion),” ZKM|Museum für Neue Kunst, Karlsruhe, Germany

“Beyond Belief/100 years of the spiritual in modern art,” Contemporary Jewish Museum, San Francisco, California

“Under the Influence: Artists and Psychoactive Drugs,” Maison Rouge Foundation, Paris, France

“Sanctuary for Reverse Engineering (R.E.S.),” (two-person show with Allan Packer), Exposition Grotte du Mas d’Azil, France

“Acts of Voicing,” The Total Museum of Contemporary Art, Seoul, Korea

“Word and Image,” Hood Museum of Art, Hanover, New Hampshire

“Faces: Gazes of a Hundred Years,” Centenary Exhibition of Ernst Museum, Budapest, Hungary

2012

“Active Presence: Action, Object and Public (Writing Corpora),” MARCO, Vigo, Spain

“Pop-Up. Veure és afegir,” The Fundació “la Caixa”, Barcelona, Spain

“Images Sonores,” Musée d’Art Moderne André Malraux (MuMa), Havre (Le), France

“Images Against Darkness,” Inter Media Art Institute, Düsseldorf, Germany

“Membra Disjecta for John Cage. Wanting to Say Something About John,” The Gallery of Fine Arts, Ostrava, Czech Republic and at freiraum quartier21 INTERNATIONAL, MuseumsQuartier Vienna, Austria

2011

“Moving Types,” Gutenberg-Museum, Mainz, Germany

“Gary Hill – Patrick Tosani,” Galerie Barbara Thumm, Berlin, Germany

“Sound Spill,” West, Den Haag, The Netherland

“Everything Changes,” DNA Galerie, Berlin, Germany

“Our Darkness,” Künstlerhaus Stuttgart, Germany

“Secret Journeys, from the EMST Collection,” ART-ATHINA (International Contemporary Art Fair of Athens), Athens, Greece

“New Contemporary Galleries – John Kaldor Family Collection,” Art Gallery of New South Wales, Sydney, Australia

“Undeniably Me,” Galerie Rudolfinum, Prague, Czech Republic

“Déjà,” Musée d’art contemporain de Montréal, Québec, Canada

“Kunstmuseum Wolfsburg at The Hunter Museum,” The Hunter Museum of American Art, Chattanooga, TN

“Expanded Cinema,” MMOMA (Moscow Museum of Modern Art), Moscow, Russia

Aka Renga/Red Brick House, Yokohama, Japan

“Habiter la Terre: Du Battement de Coeur à l’Emportement du Monde,” La Biennale internationale d’art contemporain, Ville de Melle, France

“The View from a Volcano: The Kitchen’s Soho Years, 1971 – 1985,” The Kitchen, New York, NY

“Tribute to the Experimental Television Center,” Anthology Film Archives, New York

“Art et Argent, Liaisons Dangereuses,” Monnaie de Paris, France (online exhibition only – http://expo.monnaiedeparis.fr/)

Seoul International NewMedia Festival, Seoul, Korea

“Synaptic Connections: Art and the Brain,” Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada

“Exchange and Evolution: Worldwide Video Long Beach 1974-1999,” Long Beach Museum of Art, Long Beach, CA

“Living Here,” KTD Monastery, Woodstock, NY

“Moving Types,” Gutenberg-Museum Mainz, Germany

“Jacques Perconte 1,” La Cinémathèque Française, Paris, France

2010

“CUE: Artists’ Video,” Vancouver Art Gallery, Vancouver, BC, Canada

“The Contemporary Figure,” Donald Young Gallery, Chicago, IL

“Paying a Visit to Mary,” The Aldrich Contemporary Art Museum, Aldrich, CT

Oslo Screen Festival 2010, Filmens Hus, Oslo, Norway

“Mulberry Tree Press,” SE8 Gallery, London, England

“DreamTime 2 / Fantasmagoria,” La Grotte du Mas d’Azil, Le Mas-d’Azil, France

“SWELL: Art 1950 – 2010,” Friedrich Petzel Gallery, New York, NY

“From Picasso to Gary Hill,” MAC Museu de Arte Contemporânea Centro Dragão do Mar de Arte e Cultura, Fortaleza, Ceará, Brazil

“Short Shorts,” Electronic Arts Intermix (EAI), New York, NY

“Surface / Ground,” Young Projects, West Hollywood, CA

“TV/ARTS/TV,” Arts Santa Mònica, Barcelona, Spain

Festival Temps d’Images, Museu do Chiado – Museu Nacional do Arte Contemporâne, Lisbon, Portugal

“America – it’s also our history!,” organized by Museum of Europe / Tempora, Tours & Taxis, Brussels, Belgium

“Les Projections du LaM,” LaM – Lille Métropole musée d’art moderne, d’art contemporain et d’art brut, Villeneuve d’Ascq, France

“The Frustration of Expression,” The Center for Photography at Woodstock, New York

“IRIS. The Invention of Color from 1600 to Today [IRIS. Die Erfindung der Farben von 1600 bis Heute: Farbe in der Zeitgenössischen Kunst],” Neuer Kunstverein Giessen, Germany

“LANGUAGE,” VIVID, Birmingham, England

TONSPUR_expanded III, MuseumsQuartier, Vienna, Austria

“2010 Winter Salon – In Synthesis,” Björn Ressle Art Projects Inc., New York, NY

2009

“Holbein to Tillmans, Prominent Guests from the Kunstmuseum Basel,” Schaulager / Laurenz Foundation, Basel Switzerland

“Talking Tongues and Other Organs,” Kleinert James Arts Center, Woodstock, NY

“Against the Grain: 15 Years of Collecting,” Kunstmuseum Wolfsburg, Wolfsburg, Germany

“Private Universes,” Dallas Museum of Art, Dallas, TX

Art 40 Basel / Donald Young Gallery, Basel, Switzerland

“Vital Signals: Japanese + American Video Art from the 1960s and 70s,” touring EAI (Electronic Arts Intermix, NY) video program

“The Estrangement of Judgement,” Jensen Gallery, Auckland, New Zealand

“5th VentoSul Biennial,” Instituto Paranaense de Arte, Curitiba, Brazil

“Faux Jumeaux,” S.M.A.K., Ghent, Belgium

“Videnie,” PERMM Museum of Contemporary Art, Perm, Russia

“See This Sound: Promises in Sound and Vision,” Lentos Art Museum, Linz, Austria

“Vortexhibition Polyphonica,” Henry Art Gallery, University of Washington, Seattle, WA

“IMAI on Screen: Voice Windows,” Art House Cinema Bambi, Dusseldorf, Germany

2008

“The Cinema Effect: Illusion, Reality, and the Moving Image, Part I: Dreams,” The Hirshhorn Museum and Sculpture Garden, Washington, DC

“Die Lucky Bush,” The Museum of Contemporary Art Antwerp (MuHKA), Antwerp, Belgium

Art 39 Basel / Donald Young Gallery, Basel, Switzerland

“On Time,” video program in conjunction with the exhibition, “Synthetic Times – Media Art China 2008,” The National Art Museum of China (NAMOC), Beijing, China

“Sensory Overload: Light, Motion, Sound and Optical Art since 1945,” Milwaukee Art Museum, Milwaukee, WI

“Art & Tech – Wondering,” Art Taipei 2008, Taipei, Taiwan

“Don’t You F***IN’ Look At Me!  Surveillance in the 21st Century,” 911 Media Arts, Seattle, WA

“Flight Dreams,” Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada; Art Gallery of Nova Scotia Western Branch, Yarmouth, Canada, 2009

“The 2008 Centre Georges Pompidou Exhibition: ‘Heaven for Artists’,” Seoul Museum of Art (SeMA), Seoul, Korea

Art Basel Miami Beach / Donald Young Gallery, Miami Beach, FL

2007

“On History,” Fundación Santander Central Hispano, Madrid, Spain

“Space: Places of Art,” Akademie der Künste, Berlin, Germany

The ADAA Art Show / Donald Young Gallery, New York, NY

2nd Moscow Biennale of Contemporary Art, Moscow, Russia

“Hear With Your Eyes: Collection of Contemporary Art Fundacion ‘la Caixa’,” CaixaForum, Barcelona, Spain

“Digital Aesthetic 2,” Harris Museum and Art Gallery, Preston, England

“The Screen Eye or the New Image: 100 Videos to rethink the world,” Casino Luxembourg – Forum d’art Contemporain, Luxembourg; MNAC / The National Museum of Contemporary Art, Bucharest, Romania

“SCHMERZ (Pain),” Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany

“Scenes and Traces – From the Collection: Design, Photography and Video,” Stedelijk Museum Amsterdam, The Netherlands

“De L’Écriture,” Musée d’art contemporain de Montréal, Quebec, Canada

Seattle Art Museum, Seattle, WA

“Pourtraire,” Ecole des Beaux-Arts de Rennes, Rennes, France

“Du Sonore et du Visual, 2,” In Situ / Fabienne Leclerc, Paris, France

“Her(his)tory,” Museum of Cycladic Art, Athens, Greece

Zero Field, Beijing, China (exhibition organized by Institute of Electronic Arts, Alfred University, Alfred, NY)

“Mouth Open, Teeth Showing: Major Works from the True Collection,” Henry Art Gallery, University of Washington, Seattle, WA

“Surrèalités,” CentrePasquArt, Kunsthaus Centre d’art, Biel, Switzerland

“Windows / Interface,” Kemper Art Museum, Washington University, St. Louis, MO

“Out There,” Art Students League of New York, New York, NY

“Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust,” MIT List Visual Arts Center, Cambridge, MA

“Passage du Temps: une sélection d’oeuvres de la Francois Pinault Foundation,” Tri Postal, Lille, France

“Analogue & Digital,” Fieldgate Gallery, London, England

Art Basel Miami Beach / Donald Young Gallery, Miami, FL

“Storytelling,” screening for Art Video Lounge (curated by Michael Darling / SAM), Art Basel Miami Beach, FL

2006

“Photography, Film, Video: Reconstruction Reality. Diane Arbus, Stan Douglas, Gary Hill, Mike Kelley, and Andy Warhol,” PaceWildenstein, New York, NY

“Kairotic,” The Townhouse Gallery of Contemporary Art, Cairo, Egypt

“Des oeuvres majeures de la Collection du Musée,” Musée d’art contemporain de Montréal, Quebec, Canada

Consolidated Works, Seattle, WA

The Armory Show / Donald Young Gallery, New York, NY

“Sip My Ocean,” Louisiana Museum of Modern Art, Humlebaek, Denmark

“UBS Openings: Tate Modern Collection,” Tate Modern, London, England

“Continuum: Biennale d’art contemporain du Havre,” Musée Malraux, Le Havre, France

“Signal Channel,” Bemis Center for Contemporary Art, Omaha, NE

“The Expanded Eye,” Kunsthaus Zurich, Zurich, Switzerland

“Stories,” Santa Fe Art Institute, Santa Fe, NM

“The Grand Promenade,” EMST – National Museum of Contemporary Art, Athens, Greece

“Space, Time and the Viewer: Installations and New Media in the IVAM Collection,” IVAM (Institut Valencia d’Art Modern), Valencia, Spain

“Beyond Cinema: The Art of Projection,” Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany

“D’Ombra [The Shadow],” Palazzo delle Papesse Centro arte Contemporanea, Siena, Italy; MAN, Museo d’Arte della Provincia di Nuovo, Italy; Compton Verney, Warwickshire, England

“Dieux, mode d’emploi. L’expérience religieuse aujourd’hui,” Musée de l’Europe, Brussels, Belgium; Centro Cultural de la Villa, Madrid, Spain (as “Dios(es), Modos de empleo”)

“Primera generación: Arte e imagen en movimiento (1963 – 1986),” Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

“18: Beckett,” Blackwood Gallery, University of Toronto at Mississauga, Ontario, Canada; Walter Phillips Gallery at The Banff Centre for the Arts, Banff, Alberta, Canada

“Os Anos 80s,” Museu de Serralves, Porto, Portugal

“Wrestle,” Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

“Tuttolibri,” Galleria Milano, Milan, Italy

2005

“S1 / salon 2005,” S1 Artspace, Sheffield, England

34th International Film Festival Rotterdam, The Netherlands

“Logical Conclusions: 40 Years of Rule-Based Art,” PaceWildenstein, New York, NY

“Videoformes 2005: XXth Manifestation Internationale d’Art Vidéo et Médias,” Galerie de l’art du temps, Clermont-Ferrand, France

“L’oeil-moteur:  Art optique et art cinétique, 1950 – 1975,” Musée d’art Moderne et contemporain de Strasbourg, France

“Interventionen: Stadt-Raum-Kirche,” Alte Neuendorfer Kirche, Potsdam-Babelsberg, Germany

“River Styx,” Western Bridge, Seattle, WA

“Bilanz in zwei Akten, Collection Niedersächsischen Sparkassenstiftung,” Kunstverein Hannover, Germany

“Big Bang, Destruction and Creation in the Art of the 20th Century,” Musée National d’art Moderne, Centre Pompidou, Paris, France

“Praying for Silence,” Kunstverein Ludwigsburg, Germany

“Videographies – The Early Decades,” EMST National Museum of Contemporary Art, Athens, Greece

“Take Two. Worlds and Views: Contemporary Art from the Collection,” Museum of Modern Art, New York, NY

“Video, An Art, A History 1965 – 2005 New Media Collection, Centre Pompidiou,” CaixaForum, Barcelona, Spain; Taipei Fine Arts Museum, Taipei, Taiwan, 2006; MAC (Miami Art Central), Miami, FL; Museum of Contemporary Art, Sydney, Australia; ACMI (Australian Centre for the Moving Image), Melbourne, Australia

“GUARDAMI: Percezioni del video,” Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy

Frieze Art Fair / Donald Young Gallery, London, England

“re:currents,” Fosdick Nelson Gallery, School of Art and Design, Alfred University, Alfred, NY

“Woman of Many Faces: Isabelle Huppert,” P.S. 1 Contemporary Art Center, Long Island City, NY; Couvent des Cordeliers, Paris, France

“Outer Ear Festival of Sound,” Experimental Sound Studio, Chicago, IL (screenings)

Art Basel Miami Beach / Donald Young Gallery, Miami, FL

2004

“Treasure Island: 10 Years Collection Kunstmuseum Wolfsburg,” Kunstmuseum Wolfsburg, Wolfsburg, Germany

La Casa Encendida, Madrid, Spain (screenings)

“Text and Image: Conversations,” Museum of Contemporary Photography, Columbia College, Chicago, IL

“Point of View: An Anthology of the Moving Image,” New Museum of Contemporary Art, New York, NY; Armand Hammer Museum of Art, Los Angeles, CA

“Between Above and Below,” The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

“Art by MacArthur Fellows,” Carl Solway Gallery, Cincinnati, OH

“Etant donné: l’hors,” festival at Théâtre Garonne, Toulouse, France (screenings)

“Behind Closed Doors,” Katonah Museum of Art, Katonah, NY

“Panorama 5: ‘jamais vu,’” Le Fresnoy Studio national des arts contemporains, Tourcoing, France

Art Unlimited / Art 35 Basel, Basel, Switzerland

“Works and Days: Acquisitions for the Louisiana Collection 2000 – 2004,” Louisiana Museum of Modern Art, Humlebaek, Denmark

“Transmit + Transform,” Santa Fe Art Institute, Santa FE, NM

“Trans-Culture,” National Museum of Contemporary Art (EMST), Athens, Greece

“Tune (In))) Santa Fe,” Santa Fe Art Institute, Santa Fe, NM (screenings)

“Sons et Lumières, Une Histoire du son dans l’art du XXe Siècle,” Centre Georges Pompidou, Paris, France

“W.O.W. (The Work of the Work),” Henry Art Gallery, University of Washington, and Western Bridge, Seattle, WA

“Les enfants terribles, le langage de l’enfance dans l’art 1909 – 2004,” Museo Cantonale d’Arte, Lugano, Switzerland

“Vidéo et Après,” Musée national d’art moderne – Centre Georges Pompidou, Paris, France (screenings)

“Perspectives @ 25,” Contemporary Arts Museum Houston, Houston, TX

“Contrepoint, l’art contemporain au Louvre,” Musée du Louvre, Paris, France

2003

“Body Matters,” The National Museum of Contemporary Art, Oslo, Norway

“Surf Culture: The Art History of Surfing,” The Contemporary Museum, Honolulu, HI

“Rodney Graham, Gary Hill, Joshua Mosley,” Donald Young Gallery, Chicago, IL

“Zero Visibility – Exhibition and Festival of Electronic and Multi-media Arts,” Colonna Castle, Genazzano, Italy

Butler Institute of American Art, Youngstown, OH

“Open the Curtain,” Kunsthalle zu Kiel, Germany

“Yanomami:  l’esprit de la forêt,” Fondation Cartier pour l’art contemporain, Paris, France; Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil

“Standby: No Technical Difficulties,” (organized by Museum of Modern Art, New York and Pacific Film Archive) Gramercy Theatre, New York, NY

“OUTLOOK: International Art Exhibition, Athens 2003,” Athens, Greece

“Skin-deep: Il Corpo come luogo del segno artistico,” MART: Il Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Italy

“Hypnose,” Les Laboratoires d’Aubervilliers, France

2002

“New Frontiers,” Art Association, Jackson Hole, WY

“Stepping Back, Moving Forward: Human Interaction in an Interactive Age,” Pittsburgh Center for the Arts, Pittsburgh, PA

Factory at the Art School of Athens, Athens, Greece

“C’est pas due Cinema,” Le Fresnoy Studio national des arts contemporains, Tourcoing, France

“The Uncanny: Experiments in Cyborg Culture,” Vancouver Art Gallery, Vancouver, British Columbia, Canada; Edmonton Art Gallery, Edmonton, Alberta, Canada; Mendel Art Gallery, Saskatoon, Saskatchewan, Canada

“Visitors,” Konsthallen Bohusläns, Uddevalla, Sweden

“Acquisitions 2001 – Part 1: Photographs, Video-Installations, Video,” EMST National Museum of Contemporary Art, Athens, Greece

“Say Hello to Peace and Tranquility,” Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands;  Nicolaj Center for Contemporary Art, Copenhagen, Denmark; hARTware, Dortmund, Germany

“Outer and Inner Space: A Video Exhibition in Three Parts,” The Virginia Museum of Fine Arts, Richmond, VA

“Sahte / Gerçek (Faux/Real),” Borusan Art Gallery, Istanbul, Turkey

“Self-Portraits from the collection of Bill and Ruth True,” The Wright Exhibition Space, Seattle, WA

Donald Young Gallery, Chicago, IL

“Regarding Landscape,” The Museum of Contemporary Canadian Art, Toronto, Canada; Saidye Bronfman Centre for the Arts, Montreal, Canada

“…confiture demain et confiture hier.  Mais jamais confiture aujourd’hui…” Association Nouvelle Vague, Centre Regional d’art Contemporain, Sete, France

“Remarks on Color,” Sean Kelly Gallery, New York, NY

“Multiples objets de désir,” Musée des Beaux-Arts de Nantes, France

“Ommegang-Circumflexion,” Brugge 2002, Roeselare, Belgium

“The Pleasure of Language,” The Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands

“Sans commune mesure,” Centre Nationale de la Photographie (CNP), Paris; Le Fresnoy Studio national des arts contemporains, Tourcoing; Musée d’art moderne de Lille Métropole, Villeneuve d’Asq, France

“Les Enfants du Paradis,” Galerie Yvon Lambert, Paris, France

“Maquis,” Le Plateau, Fonds Régional d’art Contemporain (FRAC) d’Ile-de-France, Paris, France

“Body Electric: Video Art and the Human Body,” Cheekwood Museum of Art, Nashville, TN

“Plus qu’une image / Nuit Blanche,” (organized by Caroline Bourgeois) 5, rue Curial, Paris, France

“Aubes, rêveries au bord de Victor Hugo,”La Maison de Victor Hugo, Paris, France

“Vidéo Topiques: Tours et retours de l’art vidéo,” Musée d’Art Moderne et Contemporain, Strasbourg, France

“Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust,” P.S. 1 Contemporary Art Center, New York, NY

“Future Cinema,” ZKM / Center for Art and Media, Karlsruhe, Germany; Museum of Contemporary Art Kiasma, Helsinki, Finland; ICC (NTT InterCommunication Center), Tokyo, Japan

“Gary Hill / Bruce Nauman: Moving Images, Changing Identities,” National Gallery of Australia, Canberra, Australia

2001

Donald Young Gallery, Chicago, IL

The Armory Show / Donald Young Gallery, New York, NY

“I’ll Never Let You Go,” organized by Panacea Festivals / Siemens Kulturprogramm, Stockholm, Sweden

“2001 Annual Exhibition,” American Academy in Rome, Rome, Italy

49. International Art Exhibition, La Biennale di Venezia, Venice, Italy

Art 32 Basel / Donald Young Gallery, Basel, Switzerland

“Black Box – The Dark Room in Art,” Kunstmuseum Bern, Switzerland

“Media Connection,” Palazzo delle Esposizioni, Rome, Italy; Palazzo della Triennale, Milan, Italy; Castel S. Elmo, Naples, Italy

“Space Odysseys: Sensation and Immersion in Contemporary Art,” Art Gallery of New South Wales, Sydney, Australia; Australian Centre for the Moving Image (Cinemedia), Melbourne, Australia (with the title “Deep Space:  Sensation and Immersion”)

“Lateral Thinking: Art of the 1990’s,” Museum of Contemporary Art, San Diego, CA; Colorado Springs Fine Art Center, Colorado Springs, CO; Hood Museum, Dartmouth University, Hanover, New Hampshire; Dayton Art Institute, Dayton, OH

“Hands,” Israel Museum, Jerusalem, Israel

“Into the Light: The Projected Image in American Art 1964 – 1977,” Whitney Museum of American Art, New York, NY; Cleveland Museum of Art, Cleveland, OH

“Fast Forward: Contemporary Videos by Gary Hill, Mary Lucier, and Michael Snow,” as part of “The 59th Minute Art Project: Video Art on the Times Square Astrovision Billboard,” Times Square, New York, NY

2000

“The Cool World: Film & Video in America 1950 – 2000, Part 2: The Unfixed Image, 1970 – 2000,” Whitney Museum of American Art, New York, NY

The Armory Show / Donald Young Gallery, New York, NY

“Moving Pictures,” Real Art Ways (RAW), Hartford, CT

“Making Time: Considering Time as a Material in Contemporary Video & Film,” Palm Beach Institute of Contemporary Art, Lake Worth, FL; UCLA Hammer Museum, Los Angeles, CA

“Re: soundings,” Film Video Series at Pratt, Pratt Institute of Art and Design, Brooklyn, NY

“The Anagrammatical Body: The Body and Its Photographic Condition,” ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany

“L’Empire du Temps,” Musée du Louvre, Paris, France

“Sound Video Film,” Donald Young Gallery, Chicago, IL

“Between Cinema and a Hard Place,” Tate Modern, London, England

“Surf Trip: Surf Culture Art and Artifacts,” Yerba Buena Center for the Arts, San Francisco, CA

“Vision Ruhr,” Westfälisches Industriemuseum, Dortmund, Germany

12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia

“2000 1/2: Going Forward Looking Back,” Seattle Art Museum, Seattle, WA

Art 31 Basel / Donald Young Gallery, Basel, Switzerland

“Language Let Loose,” Seattle Art Museum, Seattle, WA

“media art 2000: escape,” media_city seoul 2000, Seoul Metropolitan Museum, Seoul, Korea

“BOOK/ENDS WIRED: Electronic Media at the Arts Center,” Capital Region Arts Center, Troy, NY

Galerie Jamileh Weber, Zurich, Switzerland

“Video Time,” The Museum of Modern Art, New York, NY

“Vies Parallèles,” Ecole Régionale des Beaux-Arts de Rouen, Rouen, France

“Double Feature: Nick Crowe and Gary Hill,” San Francisco Museum of Modern Art, San Francisco, CA

“media(tion); fragmentation and acceleration,” Center for Photography at Woodstock, Woodstock, NY

“Voici,” Palais des Beaux-Arts, Brussels, Belgium

“46th Biennial Exhibition:  Media/Metaphor,” The Corcoran Gallery of Art, Washington, DC

1999

TV Gallery, Moscow, Russia

“Passage,” WATARI-UM – The Watari Museum of Contemporary Art, Tokyo, Japan

The Armory Show / Donald Young Gallery, New York, NY

Art Chicago / Donald Young Gallery, Chicago, IL

“Passage a l’art: des lieux et des choses,” Forum Culturel du Blanc-Mesnil, Le Blanc-Mesnil, France

“The Liquid Medium: Video Art,” Queensland Art Gallery, Brisbane, Queensland, Australia

“Umedalen Skulptur 99,” organized by Galleri Stefan Andersson, Umeå, Sweden

“The Hand,” The Power Plant, Toronto, Ontario, Canada

“Transmute,” Museum of Contemporary Art, Chicago, IL

“Searchlight: Consciousness at the Millenium,” CCAC (California College of Arts and Crafts) Institute, San Francisco, CA

“Romancing the Brain,” Pittsburgh Center for the Arts, Pittsburgh, PA

“Re-Structure,” Grinnell College Art Gallery, Grinnell, IA

“The American Century: Art & Culture, Part II 1950-2000,” The Whitney Museum of American Art, New York, NY

“Warten,” Kunst-Werke Berlin, Berlin, Germany

“MoMA 2000,” Museum of Modern Art, New York, NY

“Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art,” San Francisco Museum of Art, San Francisco, CA; ZKM / Center for Art and Media, Karlsruhe, Germany

“Dreams 1900-2000: Science, Art, and the Unconscious Mind,” (travelling exhibition organized by the Binghamton University Art Museum, Binghamton, NY) Equitable Art Gallery, New York, NY; Historisches Museum der Stadt Wien, Vienna, Austria; Binghamton University Art Museum, Binghamton, NY; Passage de Retz, Paris, France

“Rewind to the Future,” Bonner Kunstverein, Bonn, Germany

1998

“Art Vidéo: catastrophe et nativité,” Musée Royal de Mariemont, Mariemont, France

“Tuning up #5,” Kunstmuseum Wolfsburg, Wolfsburg, Germany

“Video Library,” David Zwirner Gallery, New York, NY

Art Chicago / Donald Young Gallery, Chicago, IL

“El Cuerpo del Delito,” Museo Nacional de Bellas Artes, Buenos Aires, Argentina

“Made in Corpus,” Odyssud, Blagnac, France

“Anos 80,”  Culturgest – Gestão de Espaços Culturais, Lisbon, Portugal

“Crossings,” Kunsthalle Wien, Austria, and Galerie Rudolfinum, Prague, Czech Republic

“Voices,” Witte de With, Rotterdam, The Netherlands; Fundació Joan Miro, Barcelona, Spain; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France

Art 29 Basel / Donald Young Gallery, Basel, Switzerland

“Personal Effects: The Collective Unconscious,” Museum of Contemporary Art, Sydney, Australia

3rd Werkleitz Biennial: sub fiction, Werkleitz, Germany

“Blickwechsel,” ZKM, Karlsruhe, Germany

“Surrogate: The Figure in Contemporary Sculpture and Photography,” Henry Art Gallery, Seattle, WA

“Video Arte,” Palacio de Osambela, Lima, Peru

“send + receive festival of sound: entering vibrations in the air,” University of Winnipeg, Manitoba, Canada

“Mediated Presence,” Itau Cultural, Belo Horizonte, Brazil

“Silent Treatment,” Aspen Art Museum, Aspen, CO

1997

“The Digital Video Wall,” Museum of Modern Art, New York, NY

“Inside,” Henry Art Gallery, University of Washington, Seattle, WA

“Citta’ Natura: mostra internazionale di arte contemporanea,” Palazzo delle Esposizioni, Rome, Italy

“The Twentieth Century: The Age of Modern Art,” Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts, London, England

“Amours,” Fondation Cartier pour l’art contemporain, Paris, France

Art 28 Basel / Donald Young Gallery, Basel, Switzerland

“Angel, Angel,” Kunsthalle Wien, Vienna, Austria; Galerie Rudolfinum, Prague, Czech Republic

“Unimplosive Art: Toward New Classical Trends,” Venice Biennale, Venice, Italy

4th biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France

’97 Kwangju Biennale: “Unmapping the Earth,” Kwangju, Korea

“The Objects in Hangar 2,” Seattle Arts Commission, Building 2 at the former Sand Point Naval Base, Seattle, WA

“Human References: Marks of the Artist: A Ten Year Retrospective Exhibition of the Seattle Artists’ Program Collection,” Seattle Arts Commission, Seattle Center Pavilion, Seattle, WA

“Water: The Renewable Metaphor,” Museum of Art, University of Oregon, Eugene, OR

“Surveying the First Decade: Video Art and Alternative Media in the United States,” San Francisco Museum of Modern Art, San Francisco, CA

“Grand Opening,” Montevideo/TBA, Amsterdam, The Netherlands

“Europe – U.S.A. – A Comparison of 68 Artists,” Organized by the Government of Sicily, Cefalù, Italy

1996

“One and Others: Photography and Video by Juan Downey, Angela Grauerholz, Gary Hill, Alfredo Jaar, Annette Messager,” Galerie Lelong, New York, NY

“Of Sound Mind: Language and Disorder,” New Langton Arts, San Francisco, CA

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

“Museum Barrytown,” Stained Glass Studio, Barrytown, NY

“NowHere,” Louisiana Museum of Modern Art, Humlebaek, Denmark

Kunstmuseum Wolfsburg, Wolfsburg, Germany

“Foreign Bodies,” Museum für Gegenwartskunst, Basel, Switzerland

“Le Printemps de Cahors: Photographie & Arts Visuels,” Cahors, France; Portalen Contemporary Art Center, Greve, Denmark

“Moderna Museet Stockholm,” Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany

“From Ex-Libris to Home Page,” Paço das Artes, Sao Paolo, Brazil

“Sonambiente,” Akademie der Kunste, Berlin, Germany

“The Last Supper,” Donald Young Gallery, Seattle, WA

“Being and Time: The Emergence of Video Projection,” (travelling exhibition organized by the Albright-Knox Art Gallery, Buffalo, NY) Albright-Knox Art Gallery, Buffalo, NY; Cranbrook Art Museum, Bloomfield Hills, MI; Portland Art Museum, Portland, OR; Contemporary Arts Museum, Houston, TX; Site Santa Fe, Santa Fe, NM

“The Red Gate,” Museum Van Hedendaagse Kunst Gent, Ghent, Belgium

“Video Collection of the Pompidou Center,” Cinéma Rex, Belgrade, Yugoslavia

“Microwave Video Festival – City Images. The First International Video Festival,” Videotage, Hong Kong

“Continuity & Contradiction, A New Look at the Permanent Collection from the Museum of Contemporary Art, San Diego,” Miami Art Museum, Miami, FL

1995

“Private/Public: ARS ’95 Helsinki,” Museum of Contemporary Art, Helsinki, Finland

“Pour un couteau,” Le Creux de l’Enfer, Le Centre d’art contemporain, Thiers, France

Pacific Film Archive, Berkeley, CA

“Altered States: American Art in the 90’s,” Forum for Contemporary Art, St. Louis, MO

“Immagini in Prospettive,” Cinema “Verdi,” Serre de Rapolano, Italy

Art Chicago / Donald Young Gallery, Chicago, IL

“MultiMediale 4,” ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany

“Identità e Alterità,” Venice Biennale, Venice, Italy

“Video Spaces: Eight Installations,” Museum of Modern Art, New York, NY

“Sound Sculpture – Music for the Eye,” Ludwig Museum im Deutschherrenhaus, Koblenz, Germany

“Longing and Belonging: From the Faraway Nearby,” Site Santa Fe, Santa Fe, NM

“feux terrestres,” Centre Régional d’Art Contemporain, Montbéliard, France

“The Decade Between: American Video Art, 1978 – 1988: Fighting Words: Works by Juan Downey, Gary Hill, and Peter Rose,” Pacific Film Archive, University of California, Berkeley, CA

Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova, Padua, Italy

6e Semaine Internationale de Vidéo, Saint-Gervais Genève, Geneva, Switzerland

Carnegie International, Carnegie Museum of Art, Pittsburgh, PA

10ème festival video de Gentilly et du Val-de-Marne, Gentilly, France

3rd Biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France

1994

“Beeld/Beeld,” Museum van Hedendaagse Kunst, Ghent, Belgium

“Múltiplas Dimensões,” Centro Cultural de Belém, Lisbon, Portugal

“Intelligent Ambience,” Ars Electronica ’94:  Festival fur Kunst, Technologie und Gesellschaft; Long Beach Museum of Art, Long Beach, CA

“Video Art ’94: Nature in Motion,” Mánes, Prague, Czech Republic

Bienal Internacionale de São Paulo, São Paulo, Brazil

“Facts and Figures: Selections from the Lannan Foundation Collection,”  Lannan Foundation, Los Angeles, CA

“Dekonstruktion Video – 11. Kasseler Dokumentarfilm & Videofestivals,” Kassel, Germany

“Light Into Art: From Video to Virtual Reality,” Contemporary Arts Center, Cincinnati, OH

“Cocido y Crudo,” Museo Nacionale Centro de Arte Reina Sofia, Madrid, Spain

“Heart of Darkness,” Kröller-Müller Museum, Otterlo, The Netherlands

1993

Whitney Biennial, Whitney Museum of American Art, New York, NY

“Between World and Image,” Museum of Modern Art, New York, NY

“The 21st Century: Into the Future with Paracelsus,” Künsthalle Basel, Basel, Switzerland

“Passageworks,” Rooseum, Malmö, Sweden

“American Art in the 20th Century, Painting and Sculpture 1913-1993,” Martin-Gropiu-Bau, Berlin, Germany; Royal Academy of Arts and the Saatchi Gallery, London, England

“Frames,” Ydessa Hendeles Art Foundation, Toronto, Ontario, Canada

“Video to Expand Your Mind,” Dayton Visual Arts Center, Dayton, OH

“Video Time Shifts,” Forum for Contemporary Art, St. Louis, MO

“16 Dagar,” Nylistasafnid, The Living Art Museum, Reykjavik, Iceland

“Gary Hill, Between Cinema and a Hard Place, and recent works by Lewis Baltz, Jac Leirner, and Glenn Ligon,” The Bohen Foundation, New York, NY

“1993 Whitney Biennial in Seoul,” National Museum of Contemporary Art, Seoul, Korea

Fifth Fukui International Video Biennal, Fukui, Japan

“Summer Sunset Theater,” Hiroshima City Museum of Contemporary Art, Hiroshima, Japan

“Anonymity and Identity,” Anderson Gallery, Virginia Commonwealth University, Richmond, VA; The Art Gallery, University of Maryland, College Park, MD

strange HOTEL,” Aarhus Kuntsmuseum, Aarhus, Denmark

37th London Film Festival, London, England

ForumBHZvideo, Festival Internacional de Video, Belo Horizonte, Minas Gerais, Brazil

Centro Cultural Arte Contemporaneo, Mexico City, Mexico

1992

Donald Young Gallery, Seattle, WA

“Les Rencontres en Direct,” American Center, Paris, France

“Japan: Outside/Inside/Inbetween,” Artists Space, New York, NY

“Dance,” California Museum of Photography, Riverside, CA

“Doubletake: Collective Memory and Current Art,” Hayward Gallery, London, England; Künsthalle Wien, Vienna, Austria

“C’est pas la fin du monde – une exposition des années 80,” Galerie Art et Essai De l’Université de Rennes 2, Rennes, France; La Criée, Halle d’Art Contemporain, Rennes, France; Galerie de T.N.B., Rennes, France

“Documenta IX,” Museum Fridericianum, Kassel, Germany

“Night of Electricity,” Nighttown, Rotterdam, The Netherlands

“Filmladen Videokunstfest,” Kassel, Germany; Botschaft Festival, Berlin, Germany; Hinterhaus, Wiesbaden, Germany

“The Binary Era: New Interactions,” Musée d’Ixelles, Brussels, Belgium; Künsthalle Wien, Vienna, Austria

“Art at the Armory: Occupied Territory,” Museum of Contemporary Art, Chicago, IL

“Métamorphoses,” St. Gervais-Genève, Geneva, Switzerland

“Day Without Art 1992,” Museum of Contemporary Art, Los Angeles, CA

1991

“Selections from the Circulating Library,” Museum of Modern Art, New York, NY

“Currents,” Institute of Contemporary Art, Boston, MA

“The Body (2),” The Renaissance Society at the University of Chicago, Chicago, IL

Whitney Biennial, Whitney Museum of American Art, New York, NY

“International Art Exhibition Berlin 1991: Metropolis,” Martin-Gropius-Bau, Berlin, Germany

“Impakt: Festival voor Experimentele Kunst,” Utrecht, The Netherlands

“In Public: 1991: Artists from Seattle,” Seattle Art Museum, Seattle, WA

“In Public: Seattle, 1991,” Security Pacific Gallery, Seattle, WA

“Fighting Words: Language and Perception: Works by Scott Rankin, Gary Hill, and Peter Rose,” Pacific Film Archive, University of California, Berkeley, CA

“Do Video, da Arte et da Tecnologia,” Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil

“Topographie 2: Untergrund,” Wiener Festwochen, Vienna, Austria

“The Body,” Grazer Kunstverein, Graz, Austria

ARTEC ’91 Second International Biennale, Nagoya, Japan

“Glass: Material in the Service of Meaning,” Tacoma Art Museum, Tacoma, WA

“Performing Objects,” Institute of Contemporary Art, Boston, MA

1990

“Maison des Arts et Loisirs,” Thonon and “Maison de la Culture,” Chambéry, France

“Feature Length Video,” 911 Contemporary Arts Center, Seattle, WA

“Tendances multiples: Vidéos des Annees 80,” Musée national d’art moderne, Centre Georges Pompidou, Paris, France

“Scan 90 Videoart Spring Festival,” Heineken Village Gallery, Tokyo, Japan

“The Videotheque,” Center for Contemporary Arts of Santa Fe, Santa Fe, NM

“Video la nuit,” Maison pour tous, Annemasse, France

“1990 – Energies: An Exhibition of Fifteen International Artists,” Stedelijk Museum, Amsterdam, The Netherlands

“Vidéoformes 90: Festival de la Creation Vidéo,” Clermont-Ferrand, France

“Athens International Film and Video Festival,” Ohio University, Athens, OH

“17th Annual Northwest Film & Video Festival,” Oregon Art Institute, Portland, OR

“Video Poetics,” Long Beach Museum of Art, Long Beach, CA (travelling exhibition)

“L’Amour de Berlin: Installation Video,” Centre Culturel de Cavaillon, Cavaillon, France

“A Force of Repetition,” New Jersey State Museum, Trenton, NJ

“Video Drive-In: The Alternative Voice,” Central Park Summerstage, New York, NY

“The Collectors’ Cabinet,” Curt Marcus Gallery, New York, NY

“Passages de l’image,” Musée national d’art moderne, Centre Georges Pompidou, Paris, France; Fundació “la Caxia,” Barcelona, Spain; The Power Plant, Toronto, Ontario, Canada; Wexner Center for the Arts, Columbus, OH; San Francisco Museum of Modern Art, San Francisco, CA

“God & Country,” Greg Kucera Gallery, Seattle, WA

“V.I.P. video – image – peinture,” Galerie du génie, Paris, France

“The Body Electric,” Pyramid Arts Center, Rochester, NY

“Le temps des machines,” Centre de recherche et d’action culturelle (CRAC), Valence, France

Dallas Video Festival ’90, Dallas, TX

“NON%*@#&?!SENSE,” Whitney Museum of American Art, New York, NY

“Bienal de la imagen en movimento ’90,” Centro de Arte Reina Sofia, Madrid, Spain

1989

“Impakt: Festival voor Experimentele Kunst,” Utrecht, Holland

“Video-Skulptur Retrospektiv und Aktuell 1963-1989,” Kolnischer Künstverein, Cologne, Germany; Neuer Berliner Kunstverein, Berlin, Germany; Kunsthaus Zürich, Zürich, Switzerland

Whitney Biennial, Whitney Museum of American Art, New York, NY

1989 Salso Film and TV Festival, Salsomaggiore, Italy

“Vidéoformes 89: Festival de la Creation Vidéo,” Clermont-Ferrand, France

“Machination,” Saint-Gervais, Gèneve, Switzerland

“Filmer à tout prix, no. 4,” Brussels, Belgium

“1989 Athens International Film and Video Retrospective,” Ohio University, Athens, OH

“Atlanta Film and Video Festival,” Woodruff Arts Center, Atlanta, GA

“Electronic Landscapes,” The National Gallery of Canada, Ottawa, Ontario, Canada

Videokunst 10, Stadtgalerie Saarbrücken, Saarbrüchen, Germany

“The 4th Contemporary Art Festival: Moving Images Now,” Museum of Modern Art, Toyama, Japan

The 3rd Fukui International Video Biennale: “Expansion & Transformation,” Fukui City, Japan

2nd Japan Video Television Festival: “Delicate Technology,” Spiral, Aoyama, Tokyo, Japan

“Les Cent jours d’art contemporain de Montreal 1989,” Centre international d’art contemporain de Montreal, Montreal, Quebec, Canada

“Video and Language,” Museum of Modern Art, New York, NY

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

“Extended Definitions: Video Experiments in Perception,” Artists Space, New York, NY

“Eye for I: Video Self-Portraits,” (organized by Independent Curators Incorporated, New York, NY) Whitney Museum of American Art, New York, NY; Ball State University Art Gallery, Muncie, IN; Galleria Fac-Similie, Milan, Italy; Centro Video Arte, Palazzo dei Diamanti, Ferrara, Italy; Vancouver Art Gallery, Vancouver, British Columbia, Canada; Stedman Art Gallery, Rutgers, The State University of New Jersey, Campus at Camden, Camden, NJ; Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; University Art Museum, California State University, Santa Barbara, CA; Gallery One One One, University of Manitoba, Winnipeg, Manitoba, Canada

“1989 Whitney Biennial Film & Video Exhibiton,” Institut d’estudis nord americans, Barcelona, Spain

“Image World: Mediamedia,” Whitney Museum of American Art, New York, NY

“3 Semaine Internationale de Video,” St. Gervais-Genève, Geneva, Switzerland (festival selection)

“Selections from the Permanent Collection: Recent Acquisitions – Video,” San Francisco Museum of Modern Art, San Francisco, CA

1988

“Infermental VII,” organized by Hallwalls Contemporary Arts Center, Buffalo, New York (travelled internationally to over 30 venues)

“Collected Video Essays,” Long Beach Museum of Art, Long Beach, CA

“Art Video Americain. Les Annees quatre-vingt,” Le centre de recherche, d’echange et de diffusion pour l‘art contemporain (CREDAC), Paris, France

“Estetica de la Generacion Animacion por Ordenador,” Instituto de Estudios Norteamericanos, Barcelona, Spain

“Degrees of Reality,” Long Beach Museum of Art, Long Beach, CA

Videowochen im Wenkenpark, Riehn/Basel, Switzerland

“AS TOLD TO: structures for conversation,” Walter Philips Gallery, Banff Centre, Banff, Alberta, Canada

“3. Videonale,” Bonn, Germany

“The World Wide Video Festival,” Kijkhuis, The Hague, The Netherlands

“Ethique & Television: 4 Manifestation Internationale de Video et TV,” Montbéliard, France

“Carte Blanche à Georges Rey,” Musée d’art moderne, Villeneuve d’Ascq, France

Festival International du Nouveau Cinéma et de la Vidéo Montréal, Montreal, Quebec, Canada

“Montebeliard Video,” L’Entrepot, Paris, France

32nd London Film Festival, London, England

“Art/Documents: vidéo,” Centre Municipal d’Activités Culturelles, Ville de Gentilly, France

1987

Centre national d’art contemporain de Grenoble, Grenoble, France

“Video Discourse: Mediated Narratives,” La Jolla Museum of Contemporary Art, La Jolla, CA

“Infermental VI,” Western Front, Vancouver, British Columbia, Canada (travelled internationally)

“Video Discourse: Mediated Narratives,” Institute of Contemporary Art, Boston, MA

Athens International Video Festival, Ohio University, Athens, OH

“Video as Art: Channel 3,” First Street Forum, St. Louis, MO

“Contemporary Diptychs: Divided Visions,” Whitney Museum of American Art, Fairfield County, Stamford, CT

Whitney Biennial, Whitney Museum of American Art, New York, NY

“The Other New York: Regional Reflection,” American Museum of the Moving Image, Astoria, NY

7. Berner Poesietage, Kunstmuseum Bern, Switzerland

1987 Salso Film and TV Festival, Salsomaggiore, Italy

“Daniel Wadsworth Memorial Video Festival,” Real Art Ways, Hartford, CT

“The Situated Image,” Mandeville Gallery, University of California at San Diego (UCSD), La Jolla, CA

“Documenta VIII,” Museum Fridericianum, Kassel, Germany

6. Erlanger Videotage, Erlanger, Germany

Japan 87 – The 1st Video Television Festival: “Private Visions and Media Crossover,” Spiral, Aoyama, Tokyo, Japan

“15th Avenue Studio #2: The Mechanics of Contemplation,” Henry Art Gallery, University of Washington, Seattle, WA

“Terrorising the Code – Recent U.S. Video,” Australian Centre for Photography, Sydney, Australia; Centre for the Arts, Hobart; Experimental Art Foundation, Adelaide; Australian Centre of Contemporary Art, Melbourne; Wellington City Art Gallery, Wellington, New Zealand; Artspace, Auckland, New Zealand

“The Arts for Television,” international travelling exhibition organized by the Museum of Contemporary Art, Los Angeles, CA, and the Stedelijk Museum, Amsterdam, The Netherlands

“Computers and Art,” Everson Museum of Art, Syracuse, NY; Contemporary Arts Center, Cincinnati, OH

15th Annual Northwest Film & Video, Northwest Film & Video Center, Oregon Art Institute, Portland, OR

“Cinq pièces avec vue: 2 Semaine Internationale de Video,” organized by Bel Veder, Centre Génevois de Gravure Contemporaine, Geneva, Switzerland

2e Semaine Internationale de Vidéo, Saint-Gervais Genève, Geneva, Switzerland

’87 Tokyo International Video Biennale, Spiral Hall, Tokyo, Japan

“12th Poetry Film Festival,” Fort Mason Center, San Francisco, CA

1986

“Video Transformations,” organized by Independent Curators Incorporated (ICI), New York, NY (travelled in the U.S. from 1986 – 1987)

“Video d’artistes: Robert Cahen, Gary Hill, Jacques Louis Nyst, Dan Reeves,” Salle Patino, Geneva, Switzerland

“Collections Videos: Acquisitions Depuis 1977,” Musée National d’art Moderne, Centre Georges Pompidou, Paris, France

“Cryptic Languages,” Washington Project for the Arts, Washington, D.C.

“The Image of Fiction: International Videoart, Infermental V,” Con Rumore, Rotterdam, Germany (travelled internationally)

“Resolution: A Critique of Video Art,” Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA

“Computer Art, Holography, Video,” Modern Visual Communication, Los Angeles, CA

“New York City Experimental Video and Film Festival,” Global Village, New York, NY; Donnell Library, New York Public Library, New York, NY; Staten Island Institute of Arts and Sciences, Staten Island, NY

“Poetic License,” Long Beach Museum of Art, Long Beach, CA

“A Video Primer: Electronic Art from the 80s,” The Katonah Gallery, Katonah, NY

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

“International Festival of Video Art,” SAW Gallery, Ottawa, Ontario, Canada; Centre for Art Tapes, Halifax, England; Forest City Gallery, London, England; EM Media, Calgary, Alberta, Canada; A Space, Toronto, Ontario, Canada; Video Pool, Winnipeg, Manitoba, Canada; Monitor North, Thunder Bay, Ontario, Canada; PRIM Video, Montreal, Quebec, Canada

“Video: Recent Aquisitions,” Museum of Modern Art, New York, NY

“Video and Language: Video as Language,” Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA; University of Iowa, Museum of Art, Iowa City, IA; The Renaissance Society, Chicago, IL

National Video Festival, American Film Institute (AFI), Los Angeles, CA

Thomas A. Edison/Black Maria Film & Video Festival, West Orange, NJ

1985

Whitney Biennial, Whitney Museum of American Art, New York NY

“A Video Sampler: Realities,” American Museum of the Moving Image, Astoria, NY

First Tokyo International Video Biennial, Asahi Hall, Tokyo, Japan

“Video Feature,” International Center of Photography, New York, NY

1985 National Video Festival, American Film Institute (AFI), Los Angeles, CA

“The Artist and the Computer. Personal Visions in a New Age.” Aaron Davis Hall, The Leonard Davis Center for the Arts, City College of New York, NY

San Francisco International Video Festival, San Francisco Art Institute, San Francisco, CA

“Image/Word: The Art of Reading,” New Langton Arts, San Francisco, CA

“Video: Recent Acquistions,” Museum of Modern Art, New York, NY

“Video Art: Stockholm International Festival ’85,” Kulturhuset, Stockholm, Sweden

Fukui International Video Festival ’85: “Video – Spirit of the Time,” Fukui, Japan

1985 Athens Video Festival, Ohio University, Athens, OH

Video Culture International Competition, Don Mills, Ontario, Canada

“Video: Works from the 1985 Whitney Biennial,” First Street Forum, St. Louis, MO

“Whitney Biennial Exhibition,” 6. Film Video Performance Tage, Kulturpanorama am Löwenplatz, Lucerne, Switzerland

“The Electronic Image: An Exhibition Series,” University Community Video, Minneapolis, MN

1984

“Mix,” The Kitchen Center for Video, Music, Dance, Performance and Film, New York, NY

“Videographia,” Escoia I Centre d’Activtats Video, Barcelona, Spain

“Video-expo,” Paleis voor Schone Kunsten Brussel, Brussels, Belgium

“So There, Orwell 1984,” The Louisiana World Exhibition, New Orleans, LA

“Arte, Ambiente, Scena,” Biennale di Venezia, Venice, Italy

1st Festival Nacional de Video, Círculo de Bellas Artes, Madrid, Spain

“Video: A Retrospective / Long Beach Museum of Art, 1974-1984,” Long Beach Museum of Art, Long Beach, CA

The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands

National Video Festival, American Film Institute (AFI), Los Angeles, CA

“Video 84 – International Video Conferences,” Montreal, Quebec, Canada

“WNET/Thirteen TV Lab: A Survey,” Museum of Modern Art, New York, NY

1983

“Art Video Retrospectives et Perspectives,” Palais des Beaux-Arts, Brussels, Belgium

“The Electronic Gallery,” University Art Gallery, State University of New York, Binghamton, NY

Whitney Biennial, Whitney Museum of American Art, New York, NY

“American Video: Twenty New Works,” Museum of Modern Art, New York, NY; Museum of Modern Art, Hyogo, Japan and other Japanese, American and European venues

“Video As Attitude,” University Art Museum, University of New Mexico, Albuquerque, NM

“The Second Link: Viewpoints on Video in the Eighties,” Walter Philips Gallery, Banff, Alberta, Canada; Museum of Modern Art, New York, NY; Stedelijk Museum, Amsterdam, The Netherlands; A Space, Toronto, Ontario, Canada; Long Beach Museum of Art, Long Beach, CA; Institute of Contemporary Art, London, England

“Art & Technology: Electronic Visions,” Hudson River Museum, Yonkers, NY

Videoart: IV Festival International d’Art Video de Locarno, Locarno-Ascona, Switzerland

XXXI Festival Internacional de Cine de San Sebastian, San Sebastian, Spain

San Francisco International Video Festival, San Francisco, CA

19th Chicago International Film Festival, Chicago, IL

“Video Installation Exhibition,” Visual Studies Workshop, Rochester, NY

“Video Art: A History, Part Two,” Museum of Modern Art, New York, NY

London Video Arts, London, England

International Cultural Center, Antwerp, Belgium

Thomas A. Edison/Black Maria Film & Video Festival, West Orange, NJ

1982

Sydney Biennale, Sydney, Australia

“Text/Picture Notes,” Visual Studies Workshop, Rochester, NY

Siggraph ’82, Boston, MA

“Return/Jump: A Video Retrospective, 1979 – 82,” The Kitchen, NY

“Freie Video-Produktionen aus den USA,” Steirischer Herbst ‘82, Funkhaus Graz, Graz, Austria

1981

“Projects Video XXXV,” Museum of Modern Art, New York, NY

“Gorewitz, Hocking, Miller, Hill,” Video Free America, San Francisco, CA

“Serious Video: The Technology and its Art in the 80s,” Video Night, Artists’ Post Production Studio, Long Beach, CA

“The Electronic Gallery: An exhibit of videotapes by ten artists from The Experimental Television Center,” Studio A Lecture Hall, State University of New York, Binghamton, NY

Seventh Annual Ithaca Video Festival, Johnson Museum, Cornell University, Ithaca, NY

“Television: Transformations and New Forms,” (organized by Women’s Interart Center) Goethe House, New York, NY

National Video Festival, American Film Institute, John F. Kennedy Center for the Performing Arts, Washington, D.C.

103rd Annual Daniel Wadsworth Memorial Video Festival, Montevideo, Old State House, Hartford, CT

“New York Video,” Stadtische Galerie im Lenbachhaus, Munich, Germany

“Fast-Switch-Quick-Edit,” Anthology Film Archives, New York, NY

“The 1981 Video Awards Festival,” D·Visions at Just Above Midtown Gallery, New York, NY

“Video Europäische Videotheken,” Städtische Galerie im Lenbachhaus, Munich, Germany

“Themes in Electronic Image Processing,” The Kitchen Center for Video, Music, Dance, and Performance, New York, NY

1980

“American Video: New York, Seattle and Los Angeles,” (organized by the Museum of Modern Art, New York, NY) The Seibu Museum, Tokyo; The Museum of Modern Art, Hyogo, Kobe; Fukuoka Art Museum, Fukuoka City; Osaka Prefectural Contemporary Art Center, Osaka City; Hokkaido Museum of Modern Art, Sapporo City; Hara Museum of Contemporary Art, Tokyo, Japan

“Installation: Video: An Exhibition of Diagrams, Documentation and Video/Installation,” Hallwalls Contemporary Arts Center, Buffalo, NY

“Video 80 / San Francisco International Video Festival,” San Francisco, CA

1980 Athens Video Festival, Ohio University, Athens, OH

Center for Media Art, American Center, Paris, France

1979

Third Annual Atlanta Independent Film & Video Festival, Atlanta, GA

“FIVF,” The Kitchen Center for Video and Music, New York, NY

Fifth Annual Ithaca Video Festival, Herbert F. Johnson Museum of Art, Ithaca, NY

“CAPS Video Festival: 1978 – 79,” Media Study/Buffalo, Buffalo, NY

“Projects Video XXVII,” Museum of Modern Art, New York, NY

“Everson Video Revue,” Everson Museum of Art, Syracuse, NY; Museum of Contemporary Art, Chicago, IL; University Art Gallery, Berkeley, CA; La Jolla Museum of Contemporary Art, La Jolla, CA

“Synthesized Video,” Joe & Emily Lowe Art Gallery, Syracuse University, Syracuse, NY

Athens Video Festival, Ohio University, Athens, OH

“Political Comment in Contemporary Art,” Brainerd Art Gallery, Potsdam, NY

“Beau Fleuve,” (organized by Media Study/Buffalo, Buffalo, NY) The Center for Media Art, American Center, Paris, France; L’espace lyonnais d’action culturelle, Lyon, France; Musée Cantini, Marseille, France; Media Study/Buffalo, Buffalo, NY

“Image Processing: The Electronic Manipulation of Television,” The Kitchen Center for Video and Music, New York, NY

1978

4th Annual Ithaca Video Festival, Ithaca, NY

Atlanta Independent Film & Video Festival, High Museum of Art, Atlanta, GA

Athens Video Festival, Ohio University, Athens, OH

Video Free American, San Francisco, CA

1977

“Open Stacks: Video Exhibition and Temporary Access Archive,” Williams College Museum of Art, Williamstown, MA

Third Annual Ithaca Video Festival, Herbert F. Johnson Museum of Art, Ithaca, NY; Arnot Art Museum, Elmira, NY; Chautauqua-Cattaraugus Libraries, Jamestown, NY; Everson Museum of Art, Syracuse, NY

Upstate Films, Rhinebeck, NY

“Videotapes, performances, installations,” Woodstock Artists’ Association, Woodstock, NY

Woodstock Video Expovision, Rhinebeck, NY

Artists’ TV Lab Invitational Video Expovision ’77, Arnolfini Arts Center, Rhinebeck, NY

“Dance Video Music,” Arnolfini Arts Center, Rhinebeck, NY

1976

“Experimental TV Center, Binghamton, Program II,” Anthology Film Archives, New York, NY

Woodstock Video Expovision ’76, Woodstock Community Video, Woodstock, NY

“New Work in Abstract Video Imagery,” Everson Museum of Art, Syracuse, NY; Flint Institute of Arts, Flint, MI; Tweed Museum, Duluth, MN; North Carolina Museum of Art, Raleigh, NC

Athens International Film Festival, Ohio Univerisity, Athens, OH

1975

Group screening. Anthology Film Archives, New York, NY

Group screening. Experimental TV Center, Binghamton, NY

Group screening. Anthology Film Archives, New York, NY

Woodstock Video Exposition, Artists’ Cooperative Gallery, Woodstock, NY

Group screening. Artists’ Cooperative Gallery, Woodstock Community Video, Woodstock, NY

“Projects Video VI,” Museum of Modern Art, New York, NY

“An Evening of Video,” Walnut Street Theatre, Philadelphia, PA

“Annual Avant-Garde Festival of New York,” New York, NY

1974

“Artists from Upstate New York,” 55 Mercer Gallery, New York, NY

Woodstock Artists’ Association, New York, NY

Invitational, Schenectady Museum of Fine Arts, Schenectady, NY

1973

“Video Night,” Woodstock Artists’ Association, Woodstock, NY

All-media exhibition. Woodstock Artists’ Association, Woodstock, NY

1972

Woodstock Artists’ Association, Woodstock, NY

1971

Woodstock Artists’ Association, Woodstock, NY

1970

Parnassus Square Artists’ Cooperative, Woodstock, NY

Walcott-Fields Gallery, New York, NY

Woodstock Artists’ Association, Woodstock, NY

1969

Parnassus Square Artists’ Cooperative, New York, NY

1968

Ryder Gallery, Los Angeles, CA