Around & About, 1980
Video (color, sound); 4:45 min.
“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina Vasulka, who had left for Santa Fe. Midway in the year I abruptly had to leave my apartment and move into my office—a relatively small space with a desk, a couple of chalkboards, a couch, plus everything I owned, which was mostly media equipment. About all I could do was work, if only to keep from feeling claustrophobic (moving things around seemed to make the space bigger). Around & About came out of a ‘what if’ scenario. What if I were to cut images to every syllable of a spoken text? (A way to keep me busy?) A daunting task in the time of U-matic machines and sloppy controllers. I did it all manually, hitting the edit button for every syllable. With each rewind I would listen and anticipate the coming syllable, learning as I went along to adjust for delayed reaction. I learned quickly—every ‘mistake’ was a step forward and one or more back. Rather quickly I wrote—I could almost say scribbled—a text, driven by a personal relationship breakup, yet, more to the point, directed to an abstract other; that is, someone a viewer could identify with. Rather than separately recording and collecting images, I set the cameras up ‘live’ for each edit/syllable of the entire text, constructing it linearly from beginning to end. I limited myself to images of the room, mostly unmemorable moments of walls, furniture, and whatever else was lying around. It didn’t really matter; it was more about change and keeping the viewer occupied while I spoke. The speech was ‘automating’ the event, making whatever happened happen, at times drawing the view off the screen to the hypothetical space outside the box.”
Quasha, George and Charles Stein. An Art of Limina: Gary Hill’s Works and Writings. Barcelona: Ediciones Polígrafa, 2009, p. 568.Image Dissector Screening Series, University of California, Los Angeles, California, June 10, 1980.
San Francisco International Video Festival, San Francisco, California, October 19 – 26, 1980.
“Video Europäische Videotheken.” Städtische Galerie im Lenbachhaus, Munich, Germany, October 20 – November 1, 1981.
1980 Athens Video Festival, Ohio University, Athens, Ohio, October 23 – 25, 1980.
Solo exhibition. Museum of Modern Art, New York, New York, February 19 – 24, 1981.
Solo screening. Anthology Film Archives, New York, New York, February 28, 1981.
“Serious Video: The Technology and its Art in the 80s,” Video Night, Artists’ Post Production Studio, Long Beach, California, March 23, 1981.
“The Electronic Gallery,” State University of New York, Binghamton, New York, April 1 - 15, 1981.
Seventh Annual Ithaca Video Festival, Johnson Museum, Cornell University, Ithaca, New York, April 21 – May 3, 1981. Travelled in the United States.
“National Video Festival,” American Film Institute, John F. Kennedy Center for the Performing Arts, Washington, D.C., June 3 – 7, 1981.
103rd Annual Daniel Wadsworth Memorial Video Festival, Montevideo, Old State House, Hartford, Connecticut, June 11 – 21, 1981.
"New York Video,” Städtische Galerie im Lenbachhaus, Munich, Germany, July 7 – August 2, 1981.
“Fast-Switch-Quick-Edit,” Anthology Film Archives, New York, New York, July 22, 1981.
“Gary Hill: Equal Time,” Long Beach Museum of Art, Long Beach, California, March 28 – May 2, 1982.
"Text/Picture Notes,” Visual Studies Workshop Galleries, Rochester, New York, May 14 – August 6, 1982.
“Freie Video-Produktionen aus den USA,” Steirischer Herbst ‘82, Funkhaus Graz, Graz, Austria, November 6 – 10, 1982.
“Art Vidéo Rétrospectives et Perspectives,” Palais des Beaux-Arts, Charleroi, Belgium, February 5 – March 27, 1983.
“The Electronic Gallery,” University Art Gallery, State University of New York, Binghamton, New York, March 2 – March 25, 1983.
Solo screening. Boston Film/Video Foundation, Boston, Massachusetts, March 24, 1983.
Solo screening. London Video Arts, London, England, December 8, 1983.
Solo screening. International Cultural Center, Antwerp, Belgium, December 9, 1983.
Solo exhibition. Center for Media Art, The American Center, Paris, France, December 13 – 15, 1983.
"Video-expo," Paleis voor Schone Kunsten Brussel, Brussels, Belgium, May 3 - 15, 1984.
"Video: A Retrospective/Long Beach Museum of Art, 1974 – 1984,” Long Beach Museum of Art, Long Beach, California, September 9 – November 4, 1984.
“Video Feature,” International Center of Photography, New York, New York, March 29 – May 12, 1985.
“Video d’artistes: Robert Cahen, Gary Hill, Jacques Louis Nyst, Dan Reeves,” Salle Patino, Geneva, Switzerland, January 31 & February 1, 1986.
Solo exhibition. Whitney Museum of American Art, New York, New York, May 24 – June 15, 1986.
“Video and Language: Video as Language,” Los Angeles Contemporary Exhibitions (LACE), Los Angeles, California, December 4, 1986 – January 18, 1987. Traveled to: The Renaissance Society at the University of Chicago, Chicago, Illinois, November 22 – December 30, 1987.
7. Berner Poesietage, Kunstmuseum Bern, Bern, Switzerland, April 4 – 12, 1987.
6. Erlanger Videotage, Erlanger, Germany, June 17 – 21, 1987.
“An Evening with Gary Hill,” Northwest Film & Video Center, Oregon Art Institute, Portland, Oregon, October 1, 1987.
2e Semaine Internationale de Vidéo, Saint-Gervais Genève, Geneva, Switzerland, November 16 – 21, 1987.
Solo screening. Western Front, Vancouver, British Columbia, Canada, April 16, 1988.
“Carte Blanche à Georges Rey,” Musée d’art moderne, Villeneuve d’Ascq, France, October 13 – 15, 1988.
Solo screening. Beursschouwburg, Brussels, Belgium, January 24, 1989.
“Between the Silences: The Videoworks of Gary Hill,” Pacific Film Archive, University of California, Berkeley, California, February 19, 1989.
Vidéoformes 89: Festival de la Création Vidéo, Clermont-Ferrand, France, April 20 – 29, 1989.
39 Berliner Festwochen 1989: “25 Jahre Video-Skulptur,” Neuer Berliner Kunstverein, Berlin, Germany, August 27 – September 24, 1989.
“Video and Language,” Museum of Modern Art, New York, New York, September 7 – October 31, 1989.
“Eye for I: Video Self-Portraits,” organized by Independent Curators Incorporated, New York, New York. Travelled to: Whitney Museum of American Art, New York, New York, October 3 – 29, 1989 and other institutions in North America and Europe.
Solo exhibition. “OTHERWORDSANDIMAGES,” Video Galleriet, Huset, Denmark and Ny Carlsberg Glyptotek Museum, Copenhagen, Denmark, April 20 – May 13, 1990.
Japan 92 Video and Television Festival: “Prospectus for a TV Art Channel,” Spiral, Tokyo, Japan, February 1 – 11, 1992.
“Gary Hill: In Light of the Other,” Museum of Modern Art, Oxford, England, November 7, 1993 – January 9, 1994; The Tate Gallery, Liverpool, England, February 25 – May 2, 1994.
ForumBHZvideo, Festival Internacional de Video, Belo Horizonte, Brazil, November 10 – 15, 1993.
“Gary Hill: Sites Recited,” Long Beach Museum of Art, Long Beach, California, December 3, 1993 – February 20, 1994.
“Gary Hill: Selected Videotapes 1978 – 1990,” Art Gallery of Ontario, Toronto, Ontario, Canada, June 7 – August 28, 1994.
911 Media Arts Center, Seattle, Washington, July 8, 1994.
“Gary Hill,” (travelling exhibition organized by Riksutställningar, Stockholm, Sweden) Moderna Museet, Spårvagnshallarna, Stockholm, Sweden, February 4 – April 17, 1995; Museet for samtidskunst, Oslo, Norway, April 26 - May 21, 1995; Helsingin Taidehalli, Helsinki, Finland, June 29 - July 30, 1995; Bildmuseet, Umeå, Sweden, September 3 - October 15, 1995, Jönköpings läns museum, Jönköping, Sweden, October 22 - November 15, 1995; Göteborgs Konstmuseum, Göteborg, Sweden, November 15, 1995 - January 14, 1996.
Solo exhibition. Dia Center for the Arts, New York, New York, May 11 – June 25, 1995.
Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova, Padua, Italy, October 29, 1995 – January 28, 1996.
10ème festival video de Gentilly et du Val-de-Marne, Gentilly, France, December 1 – 3, 1995.
“Gary Hill: O lugar do outro/where the other takes place,” Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil, July 1 – 6, 1997 (not the full run of the exhibition); Museu de Arte Moderna de São Paulo, São Paulo, Brazil, October 3 – November 2, 1997.
“Gary Hill: Rétrospective de ses premières oeuvres mono-bandes,” Cinéma Lux, Caen, Basse-Normandie, France, December 11, 1997.
“Voices,” Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands, June 4 – August 23, 1998. Traveled to: Fundació Joan Miro, Barcelona, Spain, September 17 – November 1, 1998; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France, February 28 – April 11, 1999.
Solo exhibition. Center for Contemporary Images, Saint-Gervais Genève, Geneva, Switzerland, September 9, 10, 1998.
"Mediated Presence," Itau Cultural, Belo Horizonte, Brazil, December 9, 1998.
Solo exhibition. Aarhus Kunstmuseum, Aarhus, Denmark, January 17 – April 5, 1999.
“Gary Hill: Video Works,” NTT InterCommunication Center, Tokyo, Japan, February 16 – March 31, 1999.
“Making Time: Considering Time as a Material in Contemporary Video & Film,” Palm Beach Institute of Contemporary Art, Lake Worth, Florida, March 5 – May 28, 2000; UCLA Hammer Museum, Los Angeles, California, February 4 – April 29, 2001.
Solo exhibition. Centro Cultural Recoleta, Buenos Aires, Argentina, May 17 – June 4, 2000 (May 25, 2000 screening).
Solo exhibition. Museo Caraffa, Córdoba, Argentina, July 7 – 30, 2000 (July 15, 2000 screening).
"media(tion): fragmentation and acceleration,” Center for Photography at Woodstock, Woodstock, New York, November 11 – December 20, 2000.
“Hill(scape),” Extra Microwave Media Art Festival (organized by Videotage), Hong Kong Space Museum Lecture Hall, Hong Kong, January 14 – 31, 2001 (January 19 and 21 screenings).
“l’écriture vidéophage – les bandes vidéo de Gary Hill,” La Compagnie, Marseille, France, May 1 – 31, 2001 (May 8 and 10 screenings).
“Gary Hill: Selected Works,” Kunstmuseum Wolfsburg, Wolfsburg, Germany, November 10, 2001 – March 10, 2002. Traveled to: Centro Cultural de Belém, Lisbon, Portugal, October 10, 2002 – January 12, 2003.
“Stepping Back, Moving Forward: Human Interaction in an Interactive Age,” Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania, January 12 – May 5, 2002 (projected installation).
“Outer and Inner Space: A Video Exhibition in Three Parts,” The Virginia Museum of Fine Arts, Richmond, Virginia, April 6 – June 2, 2002.
“Gary Hill: A Personal Anthology / Video Works,” (video screenings) The Ossolinski National Institute, Wroclaw, Poland, December 1 / 2 and FAMU, Prague, Czech Republic, December 9, 2004.
“Videoformes 2005: XXth Manifestation Internationale d’Art Vidéo et Médias,” Clermont-Ferrand, France, compilation screening moderated by Rosanna Albertini on March 18, 2005.
“Storytelling,” screening for Art Video Lounge (curated by Michael Darling / Seattle Art Museum), Art Basel Miami Beach, Florida, December 8, 2007.
“Art of Limina: Gary Hill,” Slought Foundation, Philadelphia, Pennsylvania, March 21 – May 1, 2009.
“Gary Hill: Between Word and Image,” Headquarters of the Superintendence for the Archaeological Heritage of the Vento / Ministry of Cultural Heritage, Verona, Italy, October 14 – 16, 2010.
“Our Darkness,” Künstlerhaus Stuttgart, Germany, April 9 - 10, 2011.
“Haroon Mirza: HRM199LTD,” Museum Tinguely, Basel, Switzerland, June 10 — September 9, 2015.
"Gary Hill," 37 Moscow International Film Festival/Media Forum, Cinema October, Moscow, Russia, June 21, 2015.
“Gary Hill: Around & About,” University of Texas at Austin (The Public Art Program), Austin, TX, August 2015.
"Gary Hill: Momentombs," Suwon Art Museum, Suwon, Korea, November 26, 2019 — March 6, 2020.
“Reframe,” Prisma Studio, Vico dei ragazzi 14R, Genova, October 7, 2021 h. 18:00 – 24:00 | October 8 – November 26 by appointment.
“The Speed of Time,” St. John's College | /M Mitchell Art Museum, Annapolis, Maryland, October 14 – December 10, 2023,
“Sums & Differences,” Listasafn Árnesinga LÁ Museum, Hveragerði, September 17 – December 18, 2022.
“Sums & Differences,” House of Arts, Brno, December 12, 2023 – March 3, 2024.
"Gary Hill: Continuous Happening," Art Museum of Guangzhou Academy of Fine Arts, Guangzhou, China, October 23 - December 8, 2024.
Installation: Video. Buffalo, New York: Hallwalls Contemporary Arts Center, 1980, unpaginated.
1980 Athens Video Festival. Athens, Ohio: Athens Center for Film and Video, 1980, p. 15.
“Video 80/San Francisco International Video Festival.” Program notes. Published in Video 80 1, 1 (1980), p. 25.
Video 80. Program notes. Published as an insert in Video Networks, San Francisco 4, 3 (October 1980), pp. 5 – 7.
The Electronic Gallery. Binghamton, New York: State University of New York, Binghamton, 1981, p. 14.
The 103rd Annual Daniel Wadsworth Memorial Video Festival. Hartford, Connecticut: Montevideo, 1981, p. 11.
Seventh Annual Ithaca Video Festival. Program notes. Ithaca, New York: Ithaca Video Festival, 1981, unpaginated.
National Video Festival. The State of the Art. Los Angeles and Washington, D. C.: American Film Institute, 1981, p. 75.
D. Visions 1981 Video Awards Festival. Program notes. New York: D. Visions Gallery, 1981, unpaginated.
Video Europäische Videotheken. Munich: Städtische Galerie im Lenbachhaus, 1981, unpaginated.
Die Bilderwelt der Literatur. Schriftsteller arbeiten fürs Fernsehen. Graz: ORF Landesstudio Steiermark, 1982, pp. 104, 105.
Furlong, Lucinda. “State of the Art Scan: the Ithaca Video Festival.” Afterimage 9 (January 1982), p. 14.
Hill, Gary. Texts of Around & About, Processual Video, Happenstance. Oeuvres vidéo de Gary Hill en sa présence. Center for Media Art. Program notes. Paris: American Center, 1983, unpaginated.
Oeuvres vidéo de Gary Hill en sa présence. Center for Media Art. Program notes. Paris: American Center, 1983, unpaginated.
The Electronic Gallery. Binghamton, New York: University Art Gallery, State University of New York, Binghamton, 1983, unpaginated.
Furlong, Lucinda. "A Manner of Speaking: An Interview with Gary Hill." Afterimage 10, 8 (March 1983), pp. 12, 13.
Lee, Thomas. "March Screening Series at BF/VF." Visions Magazine (March 1983), p. 13.
Video: A Retrospective. 1974 – 1984. Long Beach, California: Long Beach Museum of Art, 1984, pp. 64, 68, 74, 93.
Burkhart, Kathe. “A History of Video: Long Beach.” Artweek 15, 36 (October 27, 1984), p. 12.
Horne, Larry. “On Video and its Viewers.” On Film 13 (Fall 1984), pp. 42, 48, 49.
Horn, Lawrence. "On Video and its Viewer." Millennium Film Journal 14/15 (Fall/Winter 1984/1985), p. 161.
Sugihara, Mariko. “Everything that is seen on TV is an idiom.” Video Com, Japan 20 (1985), p. 164.
Hanhardt, John G. and Gary Hill. Gary Hill. The New American Filmmakers Series 30. New York: Whitney Museum of American Art, 1986, unpaginated.
The Image of Fiction: International Videoart Infermental 5. Rotterdam, Germany: Con Rumore, 1986, p. 41 & unpaginated.
Rankin, Scott. Video and Language: Video as Language. Los Angeles: Los Angeles Contemporary Exhibitions (LACE), 1986, unpaginated.
7. Berner Poesietage 1987. Bern: Kunstmuseum Bern, 1987, p. 3.
6. Erlanger Videotage. Erlanger, Germany: Erlanger Videotage, 1987, p. 88.
2e Semaine International de Video. Geneva: Saint-Gervais Genève, 1987, pp. 63 – 65, 127.
Nash, Michael. “Video Poetics: A Context for Content.” High Performance 37, 10, 1 (1987), p. 67.
Nash, Michael. "Poetic Oversights and Critical Misgivings." High Performance 39 (1987), p. 16.
Vidéoformes '89: Festival de la Création Vidéo. Clermont-Ferrand, France: Festival de la Création Vidéo, 1989, p. 12.
Bellour, Raymond. Lynne Kirby, trans. "Eye for I: Video Self-Portraits." New American Film and Video Series 48. New York: Whitney Museum of American Art, 1989, unpaginated.
Nash, Michael. "AFI Video Festival." Artscribe International (Summer 1989), p. 87.
OTHERWORDSANDIMAGES: Video by Gary Hill. Copenhagen: Video Gallerie/Ny Carlsberg Glyptotek, 1990, p. 14.
Nyo, Paula Tin. “The Language of modernity: Oakland Museum, California.” Artweek 21 (November 1, 1990), p. 16.
Van Assche, Christine. "Gary Hill: The Imager of Disaster. Interview with Gary Hill." Galeries Magazine (December 1990/January 1991), p. 77.
Video Forum Berlin Bestandskatalog. Berlin: Neuer Berliner Kunstverein, 1991, pp. 16, 77.
Lageira, Jacinto. "Gary Hill. Une verbalisation du regard." Parachute 62 (April/May/June 1991), pp. 6, 11.
Sarrazin, Stephen. “Objecten die leven Spreken, Tapes die Leren Zwijgen.” Andere Sinema 104 (July-August 1991), p. 21.
Watari, Shizuko. Gary Hill – I Believe It Is an Image. Tokyo: WATARI-UM, The Watari Museum of Contemporary Art, 1992, unpaginated.
Sarrazin, Stephen. Chimaera Monographe No. 10 (Gary Hill). Montbéliard, France: Centre International de Création Vidéo Montbéliard, Belfort, 1992, pp. 16, 24, 25, 28, 29, 78 – 80. (Including excerpts from an interview with Gary Hill).
Van Assche, Christine. Gary Hill. Paris: Editions du Centre Georges Pompidou, 1992, pp. 5, 7, 37, 40, 70, 95.
Sarrazin, Stephen. "La parole aux objets." art press 165, France (January 1992), p. 20.
Passageworks. Malmo: Rooseum – Center for Contemporary Art, 1993, p. 60.
Gary Hill: Sites Recited. Long Beach, California: Long Beach Museum of Art, 1993, pp. 5, 25.
Van Assche, Christine and Corinne Diserens. Gary Hill. Valencia: Instituto Valenciano de Arte Moderno (IVAM), Centre del Carme, 1993, pp. 9, 11, 13, 41, 44, 60, 74, 99. (Including Gary Hill, “Inter-view”)
Mignot, Dorine. Gary Hill. Amsterdam: Stedelijk Museum; Vienna: Kunsthalle Wien, 1993, pp. 14, 54. (Including an excerpt from Gary Hill, “Inter-view”)
ForumBHZvideo 1993. Festival Internacional de Vídeo: Limite. Belo Horizonte, Brazil: Festival Internacional de Video, 1993, pp. 46, 48. (Including an excerpt from Gary Hill, “Inter-view”)
Sarrazin, Stephen. “Gary Hill. Dai un senso a ciò che muovi.” Flash Art XXVI, 174 (April 1993), p. 35. (In English: “Gary Hill: mean what you move.” Flash Art (International Edition) 173 (November/December 1993), p. 86.)
Willis, Holly, ed. Gary Hill. Spinning the Spur of the Moment. Irvington, New York: The Voyager Company, 1994, p. 15.
Thériault, Michèle. Gary Hill. Selected videotapes 1978 – 1990. Toronto: Art Gallery of Ontario, 1994, unpaginated.
Vischer, Theodora, ed. Gary Hill: Imagining the Brain Closer than the Eyes. Basel: Museum für Gegenwartskunst; Ostfildern: Cantz, 1995, pp. 116 – 118. (In German: Gary Hill: Arbeit am Video. Basel: Museum für Gegenwartskunst; Ostfildern: Cantz, 1995, p. 122.)
Gary Hill: Tall Ships, Clover. Stockholm: Riksutställningar, 1995, pp. 14, 48, 58.
10ème festival video de Gentilly et du Val-de-Marne. Program notes. Gentilly: Son & Image de Gentilly, 1995, p. 8.
Klangkunst - Sonambiente festival für hören und sehen. Berlin: Akademie der Kunste, 1996, p. 70.
Lestocart, Louis-José. “Gary Hill: Surfer sur le medium / Surfing the Medium.” art press 210 (February 1996), p. 20.
Dantas, Marcello. Gary Hill: O lugar do outro/where the other takes place. Rio de Janeiro: Magnetoscópio, 1997, pp. 69, 70.
The Multimedia and Cultural Revolution. Tokyo: NTT Intercommunication Center, 1997, p. 135.
Crossings: Kunst zum Hören und Sehen. Vienna: Kunsthalle Wien, 1998, p. 166.
Der elektronische Raum: 15 Positionen zur Medienkunst. Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Dueuschland, 1998, p. 151.
Phillips, Christopher. Voices = Voces = Voix. Rotterdam: Center for Contemporary Art; Barcelona: Fundació Joan Miró; and Tourcoing: Le Fresnoy, Studio national des arts contemporain, 1998, pp. 20, 49.
TV Dinner No. 2 at The Kitchen: Gary Hill and Meg Stuart. Program notes. New York: The Kitchen, 1998, unpaginated.
“Liminal Performance: Gary Hill in Conversation with George Quasha and Charles Stein,” PAJ (Performing Arts Journal) No. 58, Vol. XX, No. 1 (January 1998), pp. 4, 5.
Kold, Anders, ed. Gary Hill. Aarhus: Aarhus Kunstmuseum, 1999, pp. 102, 114.
Gary Hill: Video Works. Tokyo: NTT InterCommunication Center, 1999, pp. 24 – 26, 30.
Making Time: Considering Time as a Material in Contemporary Video & Film. Lake Worth, Florida: Palm Beach Institute of Contemporary Art, 2000, pp. 56 – 57, 84.
Marclay, Christian and Gary Hill. “Christian Marclay / Gary Hill: Conversation,” Annandale (Bard College), Vol. 139, No. 1 (Spring 2000), p. 7.
Morgan, Robert C., ed. Gary Hill. Baltimore: PAJ Books / The Johns Hopkins University Press, 2000, pp. 32, 44, 69, 72, 73, 82, 163 – 164, 192 – 193, 195, 214, 215, 217, 218, 219, 232, 247, 292.
Gary Hill en Argentina: textos, ensayos, dialogos. Buenos Aires: Centro Cultural Recoleta, 2000, p. 9, 13 (transcription of text), 25, 30.
Gary Hill: Instalaciones. Córdoba: Ediciones Museo Caraffa, 2000, pp. 29, 37, 74, 75.
Hill (scape): Gary Hill’s video screening, performance and installation exhibition. Program notes. Hong Kong: Videotage, 2001, p. 5, 8.
Lageira, Jacinto. Des premiers mots aux derniers silences in Gary Hill: Around & About: A Performative View. Paris: Éditions du Regard, 2001, p. 17.
Quasha, George and Charles Stein. La performance elle-même in Gary Hill: Around & About: A Performative View. Paris: Éditions du Regard, 2001, pp. 34, 47.
Brown, L. Halsey. “media(tion); fragmentation and acceleration.” Photography Quarterly #80, Vol. 20, No. 1 (2001), pp. 16 – 19.
Gary Hill: Selected Works and catalogue raisonné. Wolfsburg: Kunstmuseum Wolfsburg, 2002, pp. 20, 21, 35, 89 – 92, 246.
Barro, David. Gary Hill: Poeta da percepção, poet of perception, poeta de la percepción. In Portuguese, Spanish and English. Porto: Mimesis, 2003, pp. 11, 32, 33, 54, 55.
Mind on the Line: Gary Hill, George Quasha, Charles Stein, Aaron Miller and Dorota Czerner. In English and Polish. Wroclaw: WRO Art Center, 2004, p. 7.
Odin, Paul-Emmanuel. L’absence de livre [Gary Hill et Maurice Blanchot – Écriture, vidéo]. Marseille: La Compagnie, 2007, p. 120.
Quasha, George and Charles Stein. An Art of Limina: Gary Hill’s Works and Writings. Barcelona: Ediciones Polígrafa, 2009, pp. 172, 457, 462, 568, 571.
Ramos, María Elena. Gary Hill. Caracas: Centro Cultural Chacao, 2009 (in Spanish), pp. 7.
Copeland, Colette. “Video Rhetoric.” Afterimage, 37, 1 (July/August 2009), pp. 30 – 31.
Copeland, Colette. “Rooted in the Experiential: A Conversation with Gary Hill.” Afterimage, 37, 3 (November/December 2009), pp. 21, 22.
Squibb, Stephen. “Atypical Usage: Gary Hill, George Quasha and Charles Stein.” IDIOM (April 28, 2010). [http://idiommag.com/2010/04/atypical-usage-gary-hill-george-quasha-and-charles-stein-at-eai/]
Gary Hill: Viewer. Moscow: GMG Gallery, 2010 (in Russian and English), pp. 16, 17, 54 – 57.
Israel, Glenis. Artwise 2: Visual Arts 9 – 10. Second Edition. Milton: John Wiley & Sons Australia, Ltd., 2011, pp. 69 – 71.